Finding THE JAZZ NETWORK has been an amazing experience for Musique Noire. The opportunity to not only gain exposure among the jazz community, but to also learn and network with others in the jazz world has been invaluable. It is a place where we are all treated equally, whether one is a major label act or an indie artist, whether one plays traditional jazz or any of the "branches" of the jazz Family "tree".
Musique Noire is honored to be spotlighted here and are deeply grateful to Jaijai for creating this wonderful world. We're here to stay!
~ Musique Noire
Jaijai, what a wonderful mission you've undertaken to create such a place for artistic minds to meet and share their hearts. A place to renew faded determinations, and revive lessened momentums. A place to display our wares and reconfirm to one another that we actually are on the right track.
I commend you, Jaijai, for caring so much that you created this castle of the heart for all of us. I want to share my praise for all of the new friends as well as old friends that I've met and will meet here in our castle. Here we can garnish the where-with-all, the strength, the conviction, and the selflessness through our symbiosis, to share our gift to the world with an unbiased agenda.
My mentor, Daisaku Ikeda says of art: "A beautiful flower delights and refreshes the hearts of all people equally, no matter what soil it grows in. That is the power of beauty. The same is true of great art. It is this spirit that the German poet Heinrich Heine sang of when he wrote that once the peapod bursts open, the sugar peas inside are for everyone to enjoy."
Let's be audacious, my friends!
Buster Williams
"It was a pleasure to be featured on the Jazz Network Main Page. This Network is a unique forward step for independence, contact and conversation between artist, promoters/agents and fans.
Thank you Jaijai for offering a professional meeting place. I've met new musicians and rediscovered old friends I haven't seen or heard from in years. May we all continue to expand this network.
~ Will Calhoun
"I think that what Jaijai Jackson has done with the Jazz Network shows how the eternal love for this music is passed down from generation to generation. The fire her father lit in her has burned brightly and has inspired her to pass this torch on to future generations. I'm very proud to be featured and I'm very happy that Jazz has a voice and spirit like Jaijai looking after it."
~ Ron Kearns
I am so honored to be on The Jazz Network with so many wonderful and dedicated musicians. Jazz is the truly American art form and as I travel to other countries I find that their appreciation for jazz is really uplifting. There are so many excellent jazz musicians around the world now and The Jazz Network is helping us to find each other. Thank goodness for people like Jaijai who have dedicated so much time and effort to keep the jazz community together and for opening doors to us that we may never have found.
Regarding education in jazz, having done Master Classes in many places I find students need to take time and learn from the Masters and LISTEN. They should go back in history to appreciate ALL styles of jazz and its development. They need to learn melodies and lyrics (yes, even instrumentalists need to know lyrics) and that jazz is not just a series of modes and riffs. I think The Jazz Network can be an excellent tool for that also.
Thank you Jaijai...you are awesome!
~ Lenore Raphael
"Thank you Jaijai for creating a space for the likes of me! I truly enjoy being featured here and really hope it can give me new contacts and opportunities.
Keep up the good work!"
~ Patrick Rydman
Sweden
"The Jazz Network has come into being at just the right time. I believe that we are forever in need of spiritual and artistic enrichment and the way I see it, music, particularly jazz music, is all about the spirit. The Jazz Network allows us to reach out to our fellow artists across the world, in a way that has not been seen before, enlightening us as to who's out there making hip and happening music and helping to shape the culture. Whether artists approach this music from traditional perspectives or attempt to create new and radical sub-genres of jazz, the Jazz Network
is providing exposure, performance and recording opportunities that we might never have found on our own.
The Jazz Network is an amazing resource for the Jazz community. I'm
honored and happy to be a part of it.
Jaijai, thanks for your faith and what you're doing for the jazz community"
Best,
Nicolas
It’s a rare occasion when you meet someone who you feel a real connection to … Someone who possesses a kind spirit, unyielding generosity and a dedication to the jazz community beyond expectations.
Jaijai, thank you so much for creating such a fantastic website for the jazz community. You’ve helped artists connect with each other around the world.
I’m proud to have The Jazz Network be the first site to promote my latest recording. Words cannot express my gratitude to you for your dedication to the music and the artists.
With much love and gratitude,
Denise Donatelli
Hi Jaijai,
Stopping by to show you some love and tell you just how much I appreciate all you've been doing here, not just for me but for this incredible community of jazz musicians. I see that The Jazz Network is growing in leaps and bounds daily and want you to know that I recognize the importance of what's going on here, musicians having a place to connect with each other, young musicians having a place to meet and be mentored by musicians who have been around the block. You've created a beautiful space here and it's obvious that folks are feeling very much at home. Thanks for sharing your time, your heart, your soul. This is a huge commitment and you've taken it on with such determination. I wish you and The Jazz Network continued success and support you in all you're doing.
~ Marcus
Comment Wall (196 comments)
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I'm here - now I'm not - I'm here - now I'm not.
Love you twinsøs.
xoxooxoxoxoxoxo
My dad was a jazz drummer, and I heard a lot of your dad´s music at a very early age. :)
It´s a pleasure to meet you.
All the best.
1
DICARLO
FOURPLAY
I'm glad it was you that put the story out. Actually whether or not it is factual (Greenspan could verify it) it is certainly plausible. My main musical mentor is Judge Warren Watson, who still mentors me 50 years later. He is the longest tenured Common Pleas Court Judge in America. He was an outstanding trumpet player who led a Navy Jazz Band in the late 40s that included Harold Land on tenor and Major Holley on bass. He shared a barracks with Clark Terry and had the opportunity to listen to Clark warm-up on his trumpet daily. "That's when I decided I'd better go to law school," he told me. And of course there are many told and untold stories of people who changed their career intentions after hearing Bird play the alto.
So thank you for putting out the Getz-Greenspan story. It is one of my favorites that certainly demonstrates the powerful influence a great musician can have on the fate of the world. ;-)
Ron Kearns
Have you seen this? Could it be true?
The daily Stockholm newspaper.
Dagens Nyheter Oct 14 2008 edition, concluded that Stan Getz was partly to blame for the financial crisis now plaguing the world.
The reason: After an article in the New York Times
"Taking a hard new look at a Greenspan legacy"
at http://www.nytimes.com/2008/10/09/business/economy/09greenspan . html
The Swedish paper concluded that things might have been different had Greenspan pursued a musical career.
http://www.pbs.org/newshour/bb/business/july-dec07/greenspan_09-19.html
Turning to music and baseball
ALAN GREENSPAN: Then, I decided that baseball was my thing. And I was actually getting very good, but at the age of 14, I hit a plateau and I never improved.
JIM LEHRER: You were a left-hander, first baseman, right?
ALAN GREENSPAN: I was a left-handed first baseman. I hit the ball pretty well. Then, I got into music, and I became a professional musician for a couple of years.
JIM LEHRER: Played the clarinet...
ALAN GREENSPAN: Clarinet, saxophone, flute, bass clarinet.
JIM LEHRER: Which one did you enjoy the most?
ALAN GREENSPAN: I actually enjoyed the clarinet the best, but I was a fairly good amateur, but a moderate professional. But what really did me in is I had, as an amateur, had to play next to Stan Getz. I was 16; he was 15. I decided, "Do I really want to be in this business?"
JIM LEHRER: Why, because he was so good?
ALAN GREENSPAN: Oh, my god.
JIM LEHRER: Was he really good?
ALAN GREENSPAN: And he was one of the really historic famous sax players. And the best economic decision I ever made in my life was to decide to leave the music business and go into economics.
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