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Mariska Hargitay Greetings Guru Pitka! Jon Hammond & Telma Hopkins “Star Spangled Banner” LOVE GURU



Greetings / Mariska Hargitay from Times Square New York friends! It took me 3 times seeing Mike Myers epic LOVE GURU to realize the Holy Greeting was in fact name of the great actress Mariska Hargitay, daughter of Jayne Mansfield and former Mr. Universe Mickey Hargitay..*tip from Jon Hammond! I am the Organist backing up singer/actress Telma Hopkins “Lillian Roanoke” in the movie as she sings “Star Spangled Banner” at Game 7 when Telma as Mother of Darren Roanoke the Hockey player comes to see her ’son’ play Hockey for the very first time. The movie is funny as hell, great performances from Mike Myers and all the co-stars and the Music throughout is fantastic, a work of Epic Proportions! 5+ Stars. Thanks for including me on this great project Paramount Pictures, Jon Hammond *Member AFM Local 802, Local 6 / ASCAP Publisher “The FINGERS…are The SINGERS!”™ *Host of daily radio show HammondCast Show on KYOURADIO 1550 AM. HammondCast

Jon Hammond playing organ on “THE LOVE GURU” Mike Myers - Paramount Pictures
Listen for Jon Hammond playing organ on the new Mike Myers Paramount Pictures comedy “THE LOVE GURU” dropping June 20th at a theatre near you!
Tune in Jon Hammond mornings on The Big 1550 KYOURADIO 1550 HammondCast Show
Listen for Jon Hammond playing organ on the new Mike Myers Paramount Pictures comedy “THE LOVE GURU” dropping June 20th at a theatre near you!Tune in Jon Hammond mornings on The Big 1550 KYOURADIO 1550 HammondCast Show

Myers Created Guru Voice To Cheer Sick Pals Up:

Mike Myers created the voice for his new movie guru Pitka to cheer ill friends up.

The funnyman has been working on his The Love Guru character for years and came up with the comic spiritual leader’s Indian voice in an effort to give sick pals a laugh.

He explains, “The Seat of The Soul was a book I read that I saw on Oprah and I loved it. This is a guy who was a green beret and he was also a physicist.

“When I talked about what I was reading philosophically this mellifluous voice would emerge.

“My friends loved it and, in fact, would ask me to call them when they were not feeling well in that voice: ..You have a cold? This is the universe telling you to be with yourself because the only way out is in.

‘”

Hindu Leader Takes Aim At Myers Over ‘Frivolous’ Guru Comments

The war of words between Mike Myers and a U.S. Hindu leader, who is urging the public to boycott his latest comedy, just got personal after the actor told Rajan Zed to watch the film before damning his portrayal of an oddball spiritual guru.

Hindu leader Zed has been leading a protest against The Love Guru for months after learning Myers mocks his religion in the film.

He tells WENN, “It appears the film lampoons Hinduism and Hindus and uses Hindu terms frivolously.



But Myers counters, “This guy has not seen the film. What he will find is that this is a mythical and completely made up system of teachings in the tradition of The Force in Star Wars and Fredonia in the Marx Brothers movies.
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Jon Hammond playing organ on “THE LOVE GURU” Mike Myers - Paramount Pictures


Listen for Jon Hammond playing organ on the new Mike Myers Paramount Pictures comedy “THE LOVE GURU” dropping June 20th at a theatre near you!
Tune in Jon Hammond mornings on The Big 1550 KYOURADIO 1550 HammondCast Show
Myers Created Guru Voice To Cheer Sick Pals Up:

Mike Myers created the voice for his new movie guru Pitka to cheer ill friends up.

The funnyman has been working on his The Love Guru character for years and came up with the comic spiritual leader’s Indian voice in an effort to give sick pals a laugh.

He explains, “The Seat of The Soul was a book I read that I saw on Oprah and I loved it. This is a guy who was a green beret and he was also a physicist.

“When I talked about what I was reading philosophically this mellifluous voice would emerge.

“My friends loved it and, in fact, would ask me to call them when they were not feeling well in that voice: ..You have a cold? This is the universe telling you to be with yourself because the only way out is in.

‘”

Hindu Leader Takes Aim At Myers Over ‘Frivolous’ Guru Comments

The war of words between Mike Myers and a U.S. Hindu leader, who is urging the public to boycott his latest comedy, just got personal after the actor told Rajan Zed to watch the film before damning his portrayal of an oddball spiritual guru.

Hindu leader Zed has been leading a protest against The Love Guru for months after learning Myers mocks his religion in the film.

He tells WENN, “It appears the film lampoons Hinduism and Hindus and uses Hindu terms frivolously.



But Myers counters, “This guy has not seen the film. What he will find is that this is a mythical and completely made up system of teachings in the tradition of The Force in Star Wars and Fredonia in the Marx Brothers movies.

The World's Fastest Cruise Ship, not necessarily the Smoothest! JON HAMMOND on assignment

The World's Fastest Cruise Ship, not necessarily the Smoothest! JON HAMMOND on assignment for Press Publications ESCAPE!
Liberty Suburban Chicago Newspapers




The World's Fastest Cruise Ship, not necessarily the Smoothest! JON HAMMOND on assignment:
USA Inaugral Olympic Voyager
*and,
Exclusive On-Bridge-Interview with Captain GEORGE T. APISTOLAS

©JON HAMMOND Intl., Inc.

R.O.C. ROCKS The Cruise Industry!



Dear Friends!
Jon Hammond here...your Music & Travel Soft News Reporter with fresh good news to report!
This morning I disembarked from the #1. most exciting ship to enter the cruise market....The world's fastest mid-size cruise ship: OLYMPIC VOYAGER-the flagship of the Royal Olympic Cruises!
I must give this ship, crew, staff, food, entertainment, special guest lecturers & itinerary, 5 Stars accross the board.
Absolute Dynamite!
Olympic Voyager has redefined the term: Destination Cruising.
First of all, Olympic Voyager was built 100% from the ground up in the famous Blohm & Voss shipyard in Hamburg Germany, known for its fine seam welding. Here they created the revolutionary "Proprietary Fast Monohull Design" which makes the high speeds possible.
This powerful vessel is like a giant Mercedes Benz. Every detail...every piece of wood, reeking of quality. In German, the word is Qualitat.
This past June, Olympic Voyager was officially christened by His Excellency Konstantinos Stefanopoulos, President of the Hellenic Republic, in Piraeus, Greece.
Beginning June 24, 2000, the super ship Olympic Voyager began running a 3 continent itinerary in just 7 days, visiting Greece, Turkey, Egypt and Israel. Phenomenal!
From the moment I arrived, the old world friendly hospitality of the largely Bulgarian and Romanian house staff made me feel welcome. The Greek crew and restaurant team went out of their way to attend to the needs of every passenger. The ship makes a bold new innovative statement technologically, while maintaining sophisticated shipboard atmosphere for the "Premium Cruise Experience"! With maximum capacity 836 passengers, and total 350 staff/crew, ROC's hands on style was everywhere at all times.
This is also the debut of ROC's Comprehensive Enrichment Program At Sea. Bringing aboard former ambassadors, distinguished scholars and world famous classical musicians!
DR. SERGEI KHRUSHCHEV (son of Nikita!) was aboard as guest lecturer for the inaugural cruises, and he appeared to be enjoying himself as much as I. Fascinating to hear this man expound on many subjects: Political Science, Engineering, Butterfly Collecting and Cold War History!

I had a rare opportunity to interview the Master of Olympic Voyager, Captain George T. Apistolas. This will give you a unique insight in to the "product" and the Captain's vision for the future of modern day "Destination Cruising".
* Here is our conversation which took place on the bridge with the Captain at his controls.

*NOTE: Sister ship, THE ROYAL OLYMPIC EXPLORER is now in service!


Captain George T. Apistolas


*jh: We are here on the bridge of Olympic Voyager with Captain George Apistolas. The ship is here in Port Everglades Florida for inaugural ceremonies. She is a beautiful ship. Every piece of wood is so beautiful, that you want to make a guitar out of it!
Now I'd like to turn the microphone over to the Captain...
*Captain Apistolas: I'm not aware if I should say good morning or good afternoon...but I would say, "Good Day!" as they say further north in Canada. You said about wood for guitar...and I was thinking, as wood is for the artist, for the musician..my guitar is this beautiful ship! Myself, Captain George Apistolas from an island, it's called Invers Island in the north of Aegean. So you understand, since I was born, being surrounded by sea...the sea is the mystery that always surrounds my body and my spirits. I would like to welcome you on the Olympic Voyager-the fastest cruise liner at this time, from the modern cruise lines...certainly the most powerful engines for the size of the ship, making cruising speeds of 28 knots. The sea trials have proven that it can make much more than that. But of course, on the other hand, we wanted to run itineraries, as in the eastern Mediterranean-the 14 days itinerary, to succeed them in 7 days, and we really can make the 3 continents in just 7 day cruise! And of course here being this beautful port of Port Everglades in Fort Lauderdale, for the inaugural call in preparation for the winter season. We will be running the cruises from Port Everglades for 12 days Orinoco River, 17 days The Amazon, another 12 days Jamaica, and Mexico. The itineraries are attractive. All we need is to have our guests happy at the end. This is my goal.
*jh: Fantastic! So Captain, I see that you are very concerned about the pleasure and enjoyment of the passengers. And this being a passenger ship, it is much different in this way than most other ships on the ocean. Personally, I lived in Hamburg some years, and every day I could see the Blohm & Voss by the Elbe River. Every day ships would come in there for overhaul work, repair and finishing work. I never was aware that they could build a ship from the bottom up there in Blohm & Voss. This is news to me...can you tell me how this came to be...is this the first ship that has been built there?
*Captain Apistolas: We must say that with the capabilities that we have today, with the technology, I beleive you could build airplanes in Blohm & Voss or any of these updated shipyards...the ship yes, was built in Blohm & Voss. The keel was laid in 1998 and she was christened on the 20th of June, 2000 in Piraeus by the President of the Atlantic Republic, Mr. Stephanopolous, and she started our Mediterannean cruises. I will come back to this point of the ship yards...I must say that the construction is very good. The ship succeeded what was the target. To have these high speeds, a good speed to make the itineraries that others can't make. But when we talk about the guest satisfaction, not only to run the itinerary, but to have the passenger,,the "Guest" I call...the last day, leaving the ship knowing that they will certainly choose us to come back. You know the size of the ship is for 850 guests, and we have half the number as a crew. What we can give is the personal touch. I must say from my personal experience in this crossing, I had 650 guests...not usual to have these large numbers for crossing. But I must tell you for sure that I've spoken, greeted and I have talked to the 650. But that makes some difference...because in most of the cruise lines with so huge capacities, there's no way that the Captain can arrange to be everywhere. So one of the main complaints, would say, I haven't seen the Captain. Certainly on our ships, with the size that we have there is no way to say that. But of course, having the Greek flag, we have a good number, over 100 Greek crew onboard so that they can perform and display the Greek hospitality.When they dance on the Greek Night, those doing the dances are 100% real Greeks (chuckle!...) you can be sure of that! So they are displaying themselves, their spirit, and not just the show. I would say, the Olympic Voyager having this uniqueness of the speed doesn't stop the warmth and we have the Greek hospitality that is seldom found throughout.
*jh: Thank you. Yes, the history of the ocean and the Greek people is well known all over the world! For me, I look at the ocean when it is smooth as glass and I enjoy that. But for you as Captain of a state-of-the-art vessel that is capable of going around the world...I can imagine that the ocean can sometimes be unpredictable. And I know that in all the years that you have been at the controls of large ships, that you must have had some experiences where even though you have nerves of steel, perhaps you have known a little bit of fear when the ocean gets angry?
*Captain Apistolas:
Captain Apistolas speaks about safety in rough seas...

*Captain Apistolas: First of all I must say that we the Captains DISPLAY "Nerves of Steel", we are also sensitive like a "Champagne Glass"! Don't forget, we are human, and what I wanted to say, the Sailors in general we respect the Sea. We appreciate when we see that it's calm, because we know how bad the sea can be if you don't know how to respect.
Regarding sailing the rough seas as you said, all of us have experiences. When the knowlege is lacking, then things can be scary and people worry. Of course the guests haven't always had this experience, if they see a little rough sea they may worry. We are NOT worried about those. If you know the art of sailing your ship, the ships are made to resist the most difficult weather conditions. Either you have to avoid the bad weather, or you have to go through some bad weather but you know the art of sailing your ship...having your ship not suffer and of course the guests not suffer. All the rest of the factors are secondary. The suffering of the guests and the safety of the ship is our main concern. And believe me, every Captain would sail his ship with that spirit.
*jh: Thank you. In your experience cruising around the world, do you have a favorite place that you would like to recommend to the people? If they could go anywhere in the world, is there one location that is completely outstanding for you?
* Captain Apistolas: I must tell you, that we shouldn't always compare to say the "most beautiful place", but to say, the most INTERESTING PLACE! That way we can compare places. Because if we say we can take you to the most beautiful place...you can stay at home certainly. Or if we live in Florida and we are going to see Detroit, you are going to see some of the same things. Maybe a little climate difference but almost in the area of same. The people want to see something DIFFERENT. To experience the strange, the different, something they haven't seen...and this is why we travel. We travel not to go and live some place because it is a beautiful place, but we travel to be able to say one day we have been there, to satisfy ourselves when we are telling our friends....I was THERE. My FAVORITE place of course is the place that I can see the beautiful crystal clear Greek waters. The beautiful sunsets on the top of this volcanic dry land of Santorini...having a little Rizinna or Greek coffee and just see the sun set at the horizon, and that is my dream place.
*jh: Sounds very nice Captain! I hope that I can come there someday.
And Captain, of course when you are in command of this ship that has this incredible reputation, that is capable of moving at high speeds...with the Captains of the various ships, I have noticed a "healthy spirit of competition" sometimes between the Captains (bridge sounds...) we hear the sounds of the bridge..so we know we are LIVE here on the bridge! I'm very honored to be a guest on the bridge. It's not often that people can come up here. This is a holy place, I know it, this is the control place for people's lives safety here. So I appreciate the privelege of being your guest here.
And so, in your plan for these various itineraries, of course there are other ships that you will see...and they will see you. And this will be the first time that they will see the Olympic Voyager. And you will be traveling in the same waterways passing eachother going to and from...and maybe there can be a situation where you know a Captain of another ship and you're going in the same direction. And you have maybe the possibility to put the "hammer all the way down" and show them the tremendous power of Olympic Voyager and overtake the ship and pass them...do you foresee in the future this opportunity coming? Is there one particular ship that you would like to make this demonstration to?!
*Captain Apistolas: I must say that the high ship speed means that you have to be more alert. And I've collected here on this bridge the Top Guns of those officers that I know...and we always stay very alert, because when you sail at these speeds you have to get an EXTRA caution. But of course when it comes to how we feel when we will take the other ships...certainly when they see the Olympic Voyager on their radar screens, on the displays...first at the beginning they think they are dealing with a helicopter...a target of a helicopter or something flying fast. After they could think...maybe a battle ship. Then they go...something like a fast catamaran or something like that. And when they realise that the target is almost 600 feet, they realise that this is another "competitor"...for sure it's not a matter of dealing with sizes or speeds, but for sure they are dealing with a smaller size ship with a smaller capacity, where the passengers feel more like on a yacht..more private than the feeling on those "megacruise liners". It is nice. It is beautiful to see them and I really admire them. But our target is the individual passenger to feel well. And the REALLY FEEL WELL on this "Yacht"!
*jh: OK Captain! I see that you are "soft shoeing" around this PARTICULAR question, because I am sure that the occasion will come, when as we say in the slang...you can "blow the doors off" of some ship. And I see that also you prefer a ship where there is more of a smaller size than these mega cruise ships that come in to a peaceful area and when the passengers disembark, it could possibly disturb the peace and tranquility of the surrounding area. And this is a consideration when you arrive in a port. The reception, when you are coming back again and again, of course you are going to always be more welcome on the Olympic Voyager because you are of a more personal size. But the final question I would like to ask is, because the ships are getting larger and larger, and you see these "mega cruise ships"...some of the companies feel that the way they can impress the world is to be the BIGGEST ship with the MOST people, and put golf courses on there and everything like this...but for you personally, what is your personal vision of the future of passenger cruise ships?
*Captain Apistolas: I must sound a little dramatic with this answer, because I think that we entirely in the world have taken away....that we don't know where to stop! Certainly with this competition, we are trying to display something more, something BETTER. Consequently, this has to stop somewhere. And to start showing more respect to the nature. We have certainly to stop somewhere. And not to forget our identity...that we are human beings. And the cruise is more romantic and tradition place rather than the shopping malls that you can see around here in Florida.
I was walking yesterday in a shopping mall...and I could see thousands of people. There was atmosphere of Christmas everywhere. The trees decorated, the shops were decorated. But...to tell you the truth, I didn't see too many people smiling...laughing. So, I think we have to control our speed towards the largest, the biggest. And to come back to the intimate..to the real personal relations. And to not make ourselves addicted to all these new things, because certainly they are built and made more for "financial interest" rather than real enjoyment of our short life. And I must tell you I was driving last night a huge...a HUGE a "truck" a van...how you call it here? SUV? And, the way I'm feeling in this 60 model Austin Mini Cooper...nobody can make me feel THAT WAY! It doesn't matter how big a car you give me after that!!
*jh: Thank you very much Captain!
OK, so thank you very much for your time here on the bridge of Olympic Voyager! And all I can say is I HIGHLY RECOMMEND THIS SHIP!
If you have the opportunity to join the Captain and the crew and very friendly staff on the Olympic Voyager....then you WILL HAVE a FANTASTIC TIME!
This is Jon Hammond...over and out.

kontakt: JON HAMMOND International

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*Jon Hammond is Host of HammondCast Show daily radio show KYOURADIO 1550 AM

Vice President Cy J. Hopkins and Team


The R.O.C. Team at Olympic Voyager USA Inuagural December 9, 2000
CEO George Stathopoulos


Here is the Main Man in charge of the Athens-based Royal Olympic Cruises, CEO George Stathopoulos.
He has an illustrious 24 years of experience in the cruise industry. Formerly, European Marketing and Sales Director of Celebrity Cruises and Worldwide Sales Director of Festival Cruises.
Mr. Stathopoulos studied at London School of Foreign Trade and is fluent in Greek, English, French and Italian!
Dr. SERGEI KRUSHCHEV. Engineer, Political Scientist and Historian


Here is Dr. Sergei Kruschev speaking to an intimate gathering of the Media on the occasion of USA Inaugural, Olympic Voyager-Port Everglades Florida Dec. 9, 2000
Copyright Statement

This piece is Copyrighted and Published by
Jon Hammond International, Inc. of USA
No Unauthorized Use

*update: sister ship "Olympia Explorer" has now been christened by famed Greek musician/composer Vangelis of Chariots of Fire fame. He is the godfather of the high speed cruiseship. Royal Olympic Cruises went in to bankruptcy, both ships seized by bank plus entire fleet sadly. She is now owned by the V-Ships group, and is chartered to Iberojet. She has been renamed Voyager, but is marketed by Iberojet as Grand Voyager. jh *Rough Ride of Voyager Video *Here:
*Special Thanks: Bruce A. Douglas,
Liberty Suburban Chicago Newspapers 709 Enterprise Drive, Oak Brook, IL 60523-8814
KYOURADIO 1550 AM Jon Hammond's Show HammondCast is on daily and streaming around the world.

Hammond B3 Emergency Repair: "Dr." Dave Vumback Goff Professional To The Rescue!



3rd generation expert Hammond Organ Repair Man "Dr." Dave Vumback of Goff Professional Organ service and sales to the rescue the other night! He is one of the few people anywhere who is qualified to do this type of repair on my 1959 Hammond B3 Organ here in Times Square NYC *see photos, "Dr." Dave about to apply some serious heat to the B3:

The organ is smokin' now through my Bill Beer Keyboard Products 'Super Nuclear Powered Leslie Speaker', dangerous set up.
Goff has done the organ rigs of all the top touring acts in the Business. I was flattered that Dave said I have one of the best organ rigs he's ever heard. I'm back in business now thanks to "Dr." Dave Vumback and Goff Professional. My highest 5+ stars recommendation for Hammond organ and Leslie Speaker service and sales in Newington CT
http://www.goffprof.com/
Sincerely,
Jon Hammond
*Member AFM Local 802, Local 6 / ASCAP
http://www.HammondCast.com



 Jazz Moscow: Vladimir Danilin, Jon Hammond, Igor Butman, Eduard Zizad drums in Russia

Jazz Moscow: Vladimir Danilin, Jon Hammond, Igor Butman, Alexei Kuznetsov, Eduard Zizak on HammondCast KYOURADIO 1550

Jon Hammond Late Rent Session Men with Bernard Purdie at MIKELL'S NYC 1989 FSB= Funk Soul Blues  Jon Hammond Late Rent Session Men with Bernard Purdie drums, Alex Foster sax, Chuggy Carter perc., Barry Finnerty gtr., Jon Hammond at 1959 B3 Organ in MIKELL'S 97th St. & Columbus Ave. NYC, very first hit of 5 night run on a hot summer night in Aug. 1989. Kicking it off with a classic organ blues James And Wess on this historic date. This was the musicians hang from 1969-1991 run by Pat & Mike Mikell (RIP) ©2008 http://www.HammondCast.com FSB = Funk Soul Blues Camera Joe Berger

Les Paul Happy 93rd Birthday June 9 2008 NYC!



Yesterday I went with my friend Joe Berger to wish a very happy and healthy 93rd Birthday to our old dear friend, main man LES PAUL! We also brought a birthday message from Les' old friend Marty Napoleon, long-time pianist for the great Louis Armstrong.

Enjoy the photos of Les at Irridium where he plays every Monday, pictured with Joe Berger and Les' son Russ Paul, and a good look at the special custom "Les Paul Personal" guitar in Les' hands. Photos by me Jon Hammond, thanks and Happy Birthday Les!
Sincerely,
Jon Hammond
*Member AFM Local 802, Local 6 / ASCAP

Attention Pro Accordionists NYC Area: Jon Hammond liquidating immaculate accordion collection










Jon Hammond accordionist organist and Host of HammondCast Radio Show KYOURADIO is liquidating an immaculate collection of some of the greatest accordions in the world. Contact Mr. Hammond in NYC: laterent@hotmail.com Limited time, by appointment only.

Houston Person on HammondCast KYOURADIO


Watch Video *Here:


Houston Person tenor saxophonist bandleader on HammondCast Show KYOURADIO interview excerpt with Jon Hammond in San Francisco California. Houston has over 75 albums under his own name as well as numerous titles with his long-time musical partner Etta Jones.
Visit Houston at http://www.houstonperson.com and Jon Hammond http://www.HammondCast.com ©2008 KYOURADIO

John Nady on HammondCast KYOURADIO


Watch Video *Here:


HammondCast special guest John Nady interview with Jon Hammond. John Nady is President / CEO of Nady Systems. Nady Systems has been designing, manufacturing, and marketing wireless microphones since 1976. One of the first wireless innovators, Nady has sold millions of wireless systems worldwide, has toured with the Rolling Stones in 1978 and been involved in music production and presentation. From HammondCast Show on KYOURADIO ©2008 http://www.HammondCast.com / http://www.nady.com

Todd Barkan on HammondCast KYOURADIO


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Special guest Todd Barkan on HammondCast Show KYOURADIO, Jon Hammond interview with Todd Barkan, who ran Keystone Korner in North Beach. When Keystone closed in 1983, it was one of the last San Francisco clubs to regularly book national and international touring jazz groups. Barkan is now the artistic director of Dizzy's Club Coca-Cola, the jazz club operated by Jazz at Lincoln Center in New York, and he's also a highly regarded producer who works with numerous domestic and European jazz labels. ©2008 http://www.HammondCast.com Todd Barkan http://www.toddbarkan.com/

Jazz Moscow: Jon Hammond Trio Featuring Igor Butman and Eduard Zizak EASY LIVING







Watch Video *Here:


JON HAMMOND Trio w/ Igor Butman & Eduard Zizak "Easy Living" Organist & CBS/KYCY Radio Host JON HAMMOND playing in Trio with Russian tenor saxophonist IGOR BUTMAN & EDUARD ZIZAK-drums in LE CLUB in THEATRE TAGANKA. The beautiful Ballad "Easy Living" *JENNIFER-Camera *Special Thanks-FAINA ANTONOVA, HAMMOND SUZUKI, GARY WALKER WBGO, ALEXANDER VERSHBOW, WYNTON MARSALIS, TODD BARKAN Jazz At Lincoln Center, GIANNI VALENTE Birdland as heard on HammondCast Show KYOURADIO ©2008 http://www.HammondCast.com

HammondCast 145 KYOURADIO


Listen to Audio *Here:


HammondCast 145
HammondCast 145 KYOURADIO with spcl. guest Wendy Oxenhorn of Jazz Foundation of America interview with Jon and music of Jon Hammond NDR SESSIONS Projekt "Satin Doll", "Blues In The Night", "Payphone Johnny" News about "A Great Night In Harlem" http://www.jazzfoundation.org ©2008 http://www.HammondCast.com 45 minutes

Submitted by: Jon Hammond
Submission Date: 2008-05-10 14:48:08

Pt. 2 Jazz Angels - JFA's Wendy Oxenhorn on HammondCast KYOURADIO


Watch Video *Here:


New York -- A visit with Wendy Oxenhorn, the Executive Director of Jazz Foundation of America just prior to "A Great Night In Harlem" 7th Annual gala fund raising concert event in New York's Apollo Theatre to take place May 29, 2008.
Jazz Foundation of America are the angels who have helped so many jazz musicians with much needed medical and housing assistance.
"Together, we are saving Jazz and Blues...one musician at a time."
Jon Hammond of HammondCast Show on KYOURADIO interviewing Wendy Oxenhorn in their New York offices, return visit 2008.
http://www.jazzfoundation.org © http://www.HammondCast.com

Richard D. Parsons
Chairman

Jarrett Lilien
President

Wendy Atlas Oxenhorn
Executive Director



BOARD OF DIRECTORS

Glen Barros
Margaret Bridge
Bob Cranshaw
Hon. David Dinkins
William Douglass
Steven Edwards
Dr. Frank Forte
Ben Giordano
Danny Glover
Nat Hentoff
Carl Horton
Marc Henry Johnson
Sandy Jordan
Peter Low
Phyllis Lubarsky
L. Londell McMillan
Geoffrey D. Menin
Gil Noble
Hank O’Neal
Robert Opatrny, Esq., Secretary
Jimmy Owens, Vice President
Michael Pietrowicz, Treasurer
Lee Richards
Ann Ruckert
Dr. Billy Taylor
Dr. Ron Tikofsky
Dr. Agnes Varis
Marlisa Vinciquerra
David Walden
William Wurtzel



ADVISORY COMMITTEE

Robbin Ahrold
Jill Algrin
Arthur H. Barnes
Joslyn Barnes
Cy Blank*
Cephas Bowles
Thurston Briscoe
Ron Carter
Chevy Chase
Elvis Costello
Jim Eigo
Jon & Laurelyn Faddis
Lois Gilbert
Phoebe Jacobs*
Quincy Jones
Don Lucoff
Bruce Lundvall
Howard Mandel
Stella Mars
Wynton Marsalis
Marian McPartland
Jamil Nasser
Richard D. Parsons
Joe Piscopo
Bob Porter
Fran Richard
Mrs. Frederick P. Rose
Marc Roth
Phil Schaap
Richard Schebairo
Stephen Seigel
Lew Tabackin
Agnes Varis
George Wein
Sharon Wise
 

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Where are you located?
New York NY
Tell us a little about you....
JON HAMMOND
Instruments: Organ, Accordion, Piano, Guitar
Attended: Berklee College of Music 1974
Languages: English, German
*Jon is currently Host of daily CBS radio program HammondCast on KYOU & KYCY 1550 AM, 7 days a week at 4AM PST.
*Performing solo in Hospitals, Nursing Homes regularly. Bandleader for annual overseas dates for over 20 years.
*Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates.
Moving East he attended Berklee College of Music and played venues as diverse as Boston's "Combat Zone" in the striptease clubs during the '70's and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with Lou Colombo.

Minsk Belarus in Jazz-Quad Magazine! (in Russian text!) Special thanks to Anatoly Kiryushikin Interview with Jon Hammond Journalists, fellow musicians and jazz fans can ask Jon Hammond any questions. For details, please, read this press conference's Terms and Conditions 16.08.2005 13:10 asked by Anatoly Kiryushkin You are often traveling to Europe. Do you find any difference performing in European and American jazz clubs? replied by Jon Hammond 16.08.2005 14:17 Thank you for the question Anatoly! The answer is yes there are actually many differences I find when performing in European Jazz Clubs as opposed to American Jazz Clubs. As follows: Firstly the European jazz audience in general is more interested in our music because it came from a far away place and also the educational system in Europe gives a good foundation of harmony and theory so these serious European audiences actually know what you are playing. Also they are more respectful during the show and don't make a lot of noise like the Americanos often do On the other hand it's still permitted to smoke in European clubs so as an Asthmatic I appreciate the no-smoke policy. Smoking looks cool but it's not. Many of the German clubs have industrial strength air cleaners, which clear the air pretty well. One of my favorite clubs to play in Germany is Jazzkeller Frankfurt, the oldest jazz club in Germany where Louis Armstrong, Chet Baker, Art Blakey Jazz Messengers and many more have played. Jazzkeller has a fantastic air cleaner. One time I was a guest of Hungarian tenor saxophonist Tony Lakatos. His band sounded fantast so I told Eugen the owner of Jazzkeller: "Eugen the musicians are blowing smoke." Eugen misunderstood me and said, "Oh my god...I have to turn up the air cleaner!" and he run away ... I told him he misunderstood me but that is an example. In France they don't even care, so bring your oxygen mask USA has some good clubs too. In the best ones you will likely find Europeans on vacation! 16.08.2005 14:42 asked by Anatoly Kiryushkin Your opinion, about the European jazz audience, reminds me Duke Ellington’s tour in Minsk by the beginning of 1970’s. After the performance he was asked what he was thinking about his tour in the USSR. He said that it was a great puzzle for him to understand why people listen to his music too seriously, instead of just enjoying it and dancing… Do you think that Americans take jazz just as music for fun or consumer goods opposite to Europeans who takes the music rather a subject of an academic study? replied by Jon Hammond 16.08.2005 14:55 That is a remarkable statement!! Actually yes that is a very perceptive assessment of the difference between attitude(s) of the audiences of America and Europe in a Jazz setting. Personally I prefer to have the luxury of a serious analytical audience to a frivolous-drunken-sloppy audience who regards the music/musicians only for their novelty entertainment. However, it is nice sometimes to see people loosen up and dancing to the music. I played for many dance situations including for 2 years I played 7 nights a week as the back-up music for striptease shows in mafia-owned Adult Entertainment clubs in Boston's Combat Zone. Believe me, when the girls couldn't dance to your music they would let the band know about it! They would come over and say something like: "I can't dance to that!" and so consequently I developed a very danceable style based on the natural rhythm of life itself...my music goes right down Broadway and so I know from hard experience that people must be able to snap their fingers and shake their butt to the music or it really doesn't mean a thing and the anti-rhythm of life music that is too fast...too slow and or too dissonant, this music will actually have a negative effect on the people in the audience. Also I have extensive experience playing my music and standards inside hospitals and nursing homes for the aged and incompetent. I even play concerts in Secure Psychiatric Wards (where most musicians will not play, but unfortunately some have ended up in there!) and also in prisons...in these settings I can really study the effect of various styles of music on people who are almost in a vegetable state in some cases when I come in. By the end of a successful hospital or nursing home concert, the people are normalized for a while...and I am ready for the basket! 17.08.2005 02:18 asked by Anatoly Kiryushkin Do you mean that a right music can wake up a sleeping will to life and patients of the hospitals need not just a medical treatment of their bodies but rather a support to their souls? replied by Jon Hammond 17.08.2005 16:14 Ahh... so in other words, you are referring to "Music Therapy"...I think I can speak on this subject as I have been playing mini-concerts for hospital patients and elderly people or incapacitated persons in nursing homes and "Assisted Living" facilities since the age of 13 years old (I am 52 now). There is no doubt that music can have a profound effect on people who are ill, in pain, with psychiatric problems and even heavily medicated patients with various levels of Alzheimers. Also there is no question about that music can calm down agitated people or on the other hand can also cause negative effects, even violence in certain concert situations we have seen. Having said this, the field of "Music Therapy" is not an exact science. Unfortunately there are those who are so pretentious as to call themselves Music Therapists when in fact sometimes they are amateur (but well-meaning) musicians who are looking for a willing audience (or a gig!) In these cases it is not so nice for the unsuspecting patients who get wheeled in to a room for an hour of being sung to by someone who might even have a message other than music (like religion perhaps)..you see what I'm getting at? To be more specific, in 1996 I attended an event called "World Congress on Music Therapy", it is an annual conference of music therapists of all kinds. Some are actually excellent and professional...and some are absolute Charlatans. I saw and met some people at this Congress who had invented such devices as for instance an electronic harness of wires that plugged in to the headphone output jack of a Sony Walkman and then the "Music Therapist" then applied contacts all over the subjects body which then delivered some little musical vibrations and of course the inventor had such grandiose claims that it helped cure Cancer and so on. Another had a bed that vibrated to the music...this was one expensive bed! (from Switzerland can you imagine?!) Also there were some musicians… some good ones, some not-so-good. I'm not saying that they all were Charlatans. Some had gone to school and studied accredited courses taught by people with clinical experience and so there was everything from A-Z. I can only tell you in my personal experiences that I have seen the Power of Music at work and when you see for the first time someone get out of a wheelchair and start dancing around, then you will know the Power of Music. And I have seen this sort of thing happen many times over a number of years. The more I play these type of mini-concerts I get better and better at it in achieving the desired results. I have been told many times by the nurses who have been at my shows that it seems I connect with the patients better than most of the performers. This comes with experience and it takes a lot of energy on my part to wake these people out of a comatose state. I must say that there have been times I come in to do a show like that and the people are rolled in with their wheelchairs and by the end of one of my shows they are almost like normal. It has to do with transforming them from the hospital environment to another place so they think they're in a lounge or bar again. I normally play for at least 90 minutes continuously and tell some stories in-between the songs. Sometimes as long as 2 hours. I think that when the people see how much I put out it then lights a fire under their ass! So, it is possible to pass some of your energy to those who have no energy. The flip side of this is that by the time I get home I am ready to collapse. So it's sort of a reverse osmosis I guess you could say. I pass my energy to them through my musical performance and then at the end of a successful performance I am ready to be rolled away... It's totally worth the effort and I encourage all musicians who play at some kind of a high level to take their music to those who need it most take it to those who are less fortunate than ourselves. After all, that's really what being a musician is all about. And speaking for myself personally, I often times would much rather play for such an audience than to play in the most high-class 5 star nightclub or hotel, where the "hoity-toity rich people" (I call them) treat the musicians as if we were just lowly hired help for their amusement and atmosphere while they gorge themselves on 50 dollar Filet Mignon steaks while the musicians must disappear during the break and if they are lucky they are fed some cheese sandwiches, well out of sight of the customers often times in such places the musicians are asked to go sit in the kitchen and not to speak with the guests. I have played places like this also and I've seen it in Russia also, so it's the same all over the world. I say to you, musicians...if you have the musical power, take it to the people! 18.08.2005 01:02 asked by Anatoly Kiryushkin The musical power is too wide meaning, which may include anything between a composer's talents to performance skills. What do you find more interesting for you personally, to compose your own music or perform well-known standards? replied by Jon Hammond 21.08.2005 11:44 That's a very interesting question, back in the mid-'70's I was a member of a very successful Show band called "Easy Living"..we toured all up and down East Coast of USA and Canada and the music was covers of hits plus a show that was very entertaining. Something about it was not satisfying for me personally but at the time I couldn't really put my finger on it. Some years later after I built up a repertoire of original compositions, I decided to go to Europe to try playing and living in Europe. When I arrived in Europe I made a decision that I didn't come all the way across the ocean to play other people's music and I would play my music most definitely. As soon as I made that personal decision & commitment I found that I really enjoyed playing more and at the end of a night on the gig I had a much better feeling. I respect a lot of the old Standards and I play them on some restaurant & hotel gigs but when given a chance to play as bandleader in jazz clubs and festival gigs I always play at least 90% original compositions of mine. Also I feel strongly that a lot of the Standards are over done...once you've heard these songs played thousands of times by different people in different ways it gets a bit tedious and so I was thinking sometimes that the world needs NEW Standards and I really believe that some of my very own compositions are and will be the Standards of Tomorrow. Already other people are covering my compositions and the melodies will live on when I am gone. Melody is King! Check out some of my songs like for instance, "Lydia's Tune", "Late Rent", "Czechoslovakian Salsa Song", "Head Phone", "Get Back In The Groove", "White Onions", "Six Year Itch" etc...every one is a classic..every one is a smash hit! I say this to you, musicians & composers..learn your Standards, they will serve you well, but if you have the talent to compose songs that will stick to the wall, do not fail yourself...follow your dream and follow the melody! asked by Anatoly Kiryushkin 21.08.2005 16:09 Do you think that unlike spectators in hotels and restaurants, those who visit jazz clubs and festivals more willingly listen to "never heard before" music? replied by Jon Hammond 21.08.2005 16:31 Yes that's a very interesting question Anatoly..historically Jazz Festivals have been the place where audiences have been introduced to bold new talents, i.e. Newport Jazz Festival, Monterey Jazz Festival. Unfortunately however, for the most part these days the same acts are booked over and over again, almost like there is either a.) Reluctance by the festival talent buyers to take a risk on an unknown musician/band. b.) There is a kind Jazz-Mafia control over who can play on major festivals. and b.) Just as in radio & tv there exists a kind of "Payola" system. The Payola is often in cold cash with designated names such as help to "defray" "Production Expenses", Advertising, Distrubition, P.R. costs etc. I was recently told by a well-known tv producer that my new record was one of his personal favorite records and so he would like to put me on his Jazz TV Show with "guaranteed broadcasts"...and then came the klinker: My cost: $6,000 for: 6 Minutes. Quite expensive. But for my $6,000 I would be on a nation-wide syndicated tv show and possibly included in associated jazz festivals, in-flight broadcasts, jazz cruises etc. I was thinking..could be a good investment. But I came to the conclusion that for me I would be better to invest the same $6,000 on my own TV & Radio show and buy a new computer plus other equipment needed to make my shows. I say this to you, Independent Artists: "This is the best time in history for Independent Artists. The tools are at your finger tips to do everything for yourself what the labels, distributors & agents promise to do in your behalf for a fee. Put the money in your own pocket and get a fire under your ass to go out and do it for yourselves/ourselves!! Jon Hammond continued: Interview with Jon Hammond Journalists, fellow musicians and jazz fans can ask Jon Hammond any questions. For details, please, read this press conference's Terms and Conditions continued previous pages :: 01 : asked by Anatoly Kiryushkin 22.08.2005 00:27 I’m really impressed with charges for a promotional broadcasting! I always thought that unclear understanding of difference between advertising and promotion is a “children disease” of the ex-soviet mass media. Your example shows that the disease is just a result of a mass media’s weak immunity regardless their age … But anyway, do you think that an independent artist can do everything equally successful, - to write and perform music, to escape traps of corrupted media as skillful as PR agencies do, to distribute CD’s as major record labels can arrange it and sell them as much as retail shops can do? replied by Jon Hammond 22.08.2005 01:09 Ah hah..now we are getting in to some very deep Jazz waters here Anatoly! In my experiences I believe I can speak on this topic with authority. As follows: First of all, there are existing now today many routes that are available to anybody who is motivated and just a little bit clever. The dark curtain has been pulled back and now everybody in this business knows that nobody has exclusive ownership of special contacts as every/any piece of information is just a Google Search away. In the old days (not so long ago!) it was easier for "agents", PR representitives and Record Label A&R people to sell the musicians the snake oil by telling them about the big stars they represent and so on. Now the cat is out of the bag! Anybody who can spell and type a decent letter can issue a Press Release for Immediate Release. The internet has many free places where to post the Press Release. Also in USA we have "Public Access TV Stations"...these are free for the public to use for broadcasting tv programs about any and everything. The only rules are: "No Advertising". That does not mean "No Promotion"...yes, there is a fine line between Advertising and Promotion. The line is in favor of the Promoter. As long as you don't do something completely stupid, you will not cross over the line enough to get kicked off of the TV channels. *Example: Promotion="Next week my new album is going to be released on my own Record Label Ham-Berger-Friz Records, it's the best record I've ever made and I hope you will join us at our Release Party Sept. 16th at Cleopatra's Needle Jazz Club NYC www.cleopatrasneedleny.com , we will have food, live music and give free cd's to the first 20 people who arrive!" Advertising: "Folks, Next week we will be releasing our new record..the price is $19.95 only! "Operators are standing by for your call right now! Call Now! Call Now!! So you see...it is not so difficult to walk the line between advertising & promotion. In fact the line is very generous and these days it does not take much of a balancing act to do it. I've been doing for 22 years on my own Public Access TV show-"The Jon Hammond Show" on Time Warner TV so I can tell you from first-hand experience. Now as to whether an independent artist can do everything "equally successful" (to write & perfom music..escape traps of corrupted media, distribute CD's as major record labels etc.)..I am living proof that it is not only possible, I can do it BETTER. The reason why is very simple...as follows: If you go to a big high-power PR agent and he says to you, "If you give me $2,000 dollars I can send your information to many newspapers, talent scouts for TV & Radio, and you see I did it for Madonna, Nora Jones and many top names..." So, in reality there are only 24 hours in a day...I know how much time & effort it takes to do effective promotion & distribution, so unless this PR agent has a giant team of busy-workers it is not possible for him/her to spend the necessary time it takes to accomplish what needs to be done for someone who is relatively unknown. When it comes down to the bottom line, if that high-power agent has a client named Madonna or any big name star, who do you think they will spend their precious time to promote? Madonna or the XYZ Jazz Band who just paid $2,000? That $2,000 will most likely turn in to a big dinner for a bunch of hosers who won't even give you the time of day. Take the same $2,000, buy a computer, pay for electricity and a telephone and get busy! The same goes for Distributors. Distributors (and record shops also) will tell you, "Who is your Distributor? If you do not have one of 5 major Distributors we will not take your record/cd or DVD in to our shop." This is plain Bull Shit. I have heard it 1,000 times. I have managed to put my fine cd albums which are my life's work/masterpieces in to Virgin Megastore, Tower Records, Rasputin Records, Downhome Records and many other major record shops. The same goes for Radio Stations. I personally know some hosers who say for that magic figure of $2,000 they will get your record/cd played on many radio stations. If you are stupid enough to give the money to them, that will only be the beginning of throwing money in to a Giant Black Hole. Independent Artists arise off of your lazy butts...get a fire under your ass and do it for yourself...now is the time! Jon Hammond "The FINGERS...are the SINGERS!" JON HAMMOND International, Inc. Member American Federation of Musicians Union Local 802/Local 6/ASCAP New York, NY USA asked by Anatoly Kiryushkin 23.08.2005 00:59 One day the Billboard quoted your TV show as an alternative to MTV. Can you to describe what is the alternative in your own opinion? replied by Jon Hammond 23.08.2005 01:48 Yes thank you for your question Anatoly. I launched my TV show-The Jon Hammond Show on Feb. 2nd 1984 on MCTV (Manhattan Cable TV) channel "C" as it was called then at 1:30AM in the morning/late-night..it came on just before a popular late-night cable show called Robin Byrd Show. From the very beginning we got a lot of attention because first of all, my show looked extremely professional..it was high quality video even beyond High Quality, and the reason for this was because of my secret weapon (Video by LORI) Lori was my girlfriend at the time and she is/was the best on-line video editor in all of New York! She normally edited for commercial clients such as Buick Cars, Coca Cola, or Clairol Hair Products. The price of a commercial client coming in to the on-line studio to edit a commercial with Lori at the controls was $1,000 per hour. That's a lot of money and it was even more back in 1984! We made our show on 1" (one inch) video format at the time which was state-of-art equipment. Also using new digital Special Effects equipment such as Ampex ADO and the console was a Grass Valley Triple-Re-Entry Switcher and soon we got the very first Sony 5000 Computer Assisted Video Editing system which Lori helped to design with the R&D Engineers of Sony Broadcast. Because of her close association to Sony Broadcast, I was also able to get the very first prototype BetaCam camera on loan to take in to the field for our show and to test the performance. As I might have mentioned earlier, my motivation for creating The Jon Hammond Show TV show was in response to the Record Industry, we had been submitting very professionally produced original music to the major labels and after 1 1/2 years of dealing with the A&R People of the major labels I became so angry and frustrated..also I was starting to run out of money, so I had to think of a more efficient way to spend my money to get the maximum results. I heard about the possibility to make a Public Access TV show and it sounded real good to me..actually it sounded too good to be true! I had always wanted to be a Radio Man since a very early age, so since I couldn't get my radio show, I created a TV show that had a Radio "Style" Format. Also we came up with a gimmick that caught a lot of attention...when my theme music (Late Rent) came on to start my show and the announcer would say: "BackBeat Productions presents The Joooon Haaaaamond Show..and now here he is, the star of the show...Joooon Hammond!"..then a black & white overhead shot of me just sitting in a chair with expensive Italian Beatle style boots and leather pants would flip on to the screen in the middle of the higher-than-high-quality custom graphics and Special Effects like nobody had ever seen before! In other words, you didn't actually see me (my face)..only a tapping foot, crossed legs and my hands..I was the mystery host who was Jon Hammond but every viewer who watched the show would mentally attach a face to the Jon Hammond host as to what they imagined..perhaps African American people might think it was s black man..if you were Chinese it could be a Chinese Jon Hammond..and so on..it was phenomonally successful from day 1 ! Within 2 weeks I got a call from Kim Freeman of Billboard Magazine and she invited me up to the offices in the Minskoff Building near my apartment actually..and we made the interview, it came out 2 days before my birthday and then my phone was ringing off the hook! Do you know who was calling me mostly? People looking for a job! A lot of people even offerred to work for me for free. I wish I could think of something for them to do. The music on our show was very high quality and it sounded clean..no static, 10x5 reception with the Cable TV which was fairly new at the time. Later my Channel "C" became Channel 16 on the cable and when Time Warner took over I went to Channels 56 & 110 on the RCN Network. I also added other networks and was broadcasting in San Francisco, Los Angeles/Hollywood, Boston and other cities as well. I have many stories I could tell you about how close to very big success we have been over the years. There are a lot of Hype Artists out there who get you all psyched up..for instance at one point Robert Stigwood (Bee Gees, Yellow Submarine Movie etc.) of RSO (Robert Stigwood Organisation) was very hot on my show and he would have his NY people messenger tapes of my show to his helicopter who would then fly it to him on his 250 foot long mega-yacht. I had a contract offerred to me by the President of SONY for 7 years exclusive with Sony Software...we had meetings with him (John O'Donnell) on the 48th floor of the 9 W.57th St. Sony Headquarters building in the Board of Directors room, at the time the only people they had on video was David Bowie & Tina Turner and an experimental video. I still have the contract offer on my desk..it's as thick as a phone book. I can say in 22 years of doing The Jon Hammond Show I never got rich doing this but it has opened many doors for me and also made it possible for me to travel and play my music around the world. My TV show is known world-over. The first time I played a gig in Paris France, the restaurant put a little sign outside saying something like: "Jon Hammond as seen on MCTV's JON HAMMOND SHOW" and right away people came in who said, "I know your TV show from New York!"..Tapes of my show found their way all over the world because we had some really exclusive footage with people like Jaco Pastorius, Lionel Hampton, Andy Warhol, Sammy Davis Jr., Cab Calloway, John Entwistle and many more, plus our graphics and special effects were way ahead of their time and still look better than a lot of things you see on the major networks. MTV, VH1, they have all tried to imitate The Jon Hammond Show, but we are the originals! The only way to make sure I am not buried in the dirth of product out there now is to make sure I keep my show on the air and so I have successfully kept it running for 22 years now and I'll still be on 22 years from now with good luck. Jon Hammond of HammondCast now streaming from www.MNN.org channel 56 from Manhattan Neighborhood Network - Time Warner NY, NY USA" "by Ben Fong-Torres (formerly Rolling Stone Magazine and well respected Radio Journalist, Historian and Broadcaster: http://www.benfongtorres.com ) the following write-up about HammondCast program on CBS radio station KYOU/KYCY 1550 AM: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/04/09/PKGU9GIQD81.DTL HEY, YOU: KYOU Radio (legally KYCY at 1550 AM), with its mix of podcasts and financial advice shows, may not have many listeners (the Oakland A's broadcasts will help), but it's got its believers -- especially radio pros and musicians getting a chance at a regular show. One of them is Jon Hammond, on most weekdays at 3 p.m. "The old-time spirit lives on AM again," says Hammond, an organist, accordionist, composer and radio vet dating back to the late '50s on KPFA. "Recently I played in Shanghai and I could listen to my show in my hotel room at the Ritz Shanghai, streaming crystal-clear on my Powerbook." In other words, you can get better reception in China than in Chinatown. Ben Fong-Torres is a freelance writer whose column appears every other Sunday. E-mail him at fongtorres@gmail.com Page PK - 52 This is tantamount to being blessed by the Radio Pope! Now my program is known on the KYOU/KYCY Program Grid Guide as "Jon Hammond's Afternoon Slide": « Back to Program Grid Jon Hammond's Afternoon Slide ...is a blend of funk, swing and soul featuring music and performances from Jon Hammond, one of the premier B3 players in the world. Join Jon every afternoon as he shares selections from his albums and his amazing archives containing live performances that stretch back over 30 years. A legend on both coasts Jon has a unique one of a kind way of blending his experiences with the music.
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At 9:19pm on June 19th, 2008, Richard Szaniszlo said…
Hello Jon,

Your song Late Rent have made my day!
Have a great day,
Richard
At 5:35pm on June 1st, 2008,